“The singing is what works the best here. The more that element is left alone to carry the music, the better it is. The music overall has both a modern pop element and a lot of old school soul and R&B built into it.
Shine (Remix): Piano leads out, but a modern rhythmic element quickly emerges. High pitched vocals join, bringing a bit of a soulful edge. This is a pop styled cut that is catchy and energized. While the music is over-produced, and the vocals get to be at points, the bulk of the singing is left clean enough to “shine.”
I Choose You: I like this song quite a bit. It has a lot of old school R&B charm to it. This one avoids the over-production that was heard on the first song. I love the way the two voices work together.
All for Nothin’: A mellower tune, this works reasonably well. It’s not as strong as the last piece, though. It’s more of a ballad. It just doesn’t have as much of the old school magic.
Game: With more of a modern pop element at its heart, this has some classy R&B sound infused, too. I dig the guitar solo on the cut. That guitar manages to hold a big chunk of the piece. The saxophone is a nice touch, as well.
Haters: The vocals are the selling point on this song. The backing arrangement is just sort of average modern mellower stuff. The singing, though, really stands tall.
Up Down: I love the vocal performance on this cut, too. The piece is energized and more rocking It works better than the last couple songs.
Shine: I like this version of the opener better than that one. It doesn’t suffer from the over-production. That let’s this really breathe. It’s based on one of the best vocal performances here. Given the competition, that says a lot.
Shine (Bonus Mix): The closer is another mix of the song. I’d say that this one lands in the middle of the other two in terms of effectiveness.”
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