“Jennifer Saran is a very prolific artist. After her debut with a Christmas album, Merry Christmas You Are Loved (2015), she released Walk With Me in 2016 and already has a new album on the market. Named Wake Up, the Hong Kong-based American singer returns to work with respected Narada Michael Walden to present 15 tracks where she joins versions of her favorite artists (Patty Page , Doris Day , Bill Withers and George Michael) to a set of original pop Alternative and contemporary adult music. Highlights for the collaborations are with the South African choral group, Ladysmith Black Mambazo and the legendary Carlos Santana.”
Month: August 2017
Expand your email list and bring in new fans to your network
“Email is still the most effective way of reaching your loyal fans — the ones who will come to shows, contribute to crowdfunding campaigns, and listen to every new song you write.
When we’re playing live though, it’s easy to put the goal of growing your email list on the back burner.You have merch to sell, amps to lift, a set to play, drinks to drink, people to impress.
But if you integrate the goal of growing your email list INTO your performance, you won’t forget to do it, and your attempts to build your email list at live shows will be more successful.”
Click Here For The Full Article
Via Nocturna Review: Indubious “From Zero” (translated)
“With a remarkable instrumental performance, interesting harmonies and a lot of stage presence, Indubious, a band consisting of brothers Evton and Skip, based in Southern Oregon, are currently one of the most referenced names in modern reggae. After two released albums, which includes the widely acclaimed Wake The Lion, From Zero, is their latest work and features a number of renowned guests. From Zero is a conscious mix of dancehall and roots reggae with top production, with editing run by its own publisher.”
To purchase or preview “From Zero,” please visit: http://smarturl.it/fromzero
For more information about FROM ZERO or upcoming tour dates, please visit the INDUBIOUS website and social media pages via http://www.indubiousmusic.com/
For Booking inquiries please email booking@indubiousmusic.com
For Press and Interview inquiries please contact Billy James at Glass Onyon PR: (828) 350-8158 or glassonyonpr@gmail.com
For Reggae Marketing or Radio please contact King I-Vier at Independent Distribution Collective: kingivier@gmail.com
For Digital Marketing please contact Jerome Forney at Independent Distribution Collective: jerome@independentdistro.com
Everything you need to know about legally posting cover songs on YouTube
“So let’s say you’ve recorded an awesome new cover version of an existing song, and now it’s time to post the video to YouTube. What do you need to do in order to NOT get your pants sued off?”
Click Here For The Full Article!
Reggae/Soul Songstress ZAHIRA to Release the New STAND STRONG Single
Reggae/Soul Songstress ZAHIRA to Release the New STAND STRONG Single Through her own Zahira Music Productions Label
It is said that all which is planted in the spring will yield a bountiful harvest in the fall, and this is truly the case with STAND STRONG, the new Single from West Coast Reggae, Soul, Pop, and R&B artist ZAHIRA. STAND STRONG is an internationally inspired release, written during ZAHIRA’s travels in Peru in collaboration with Mexico-native producer Alann Ulises. The new Single serves as a powerful reminder that love is the best response to all situations, no matter how difficult. STAND STRONG will be released worldwide on all major digital services on September 8, 2017, and will be followed with a new music video, release shows, and the “Beyond Time Tour” along the West Coast in November 2017 featuring Indubious, ZAHIRA, and art by Lindy Kehoe. This Single’s cover art is a painting by visionary roots artist DiP SouLion with additional design by Digital Mirror Graphics.
ZAHIRA is a cultured renaissance woman whose pure, powerful, and resonant voice has received rave reviews from fans and critics around the world. ZAHIRA’s original music combines elements of Soul, Pop, Reggae, Hip-Hop and Electronica, with a style and tone described as a blend of vocalists such as Lauryn Hill, Madonna and Erykah Badu. Her success as an internationally known vocalist, songwriter, and musician, as well as her energetic performances, inspire others to be strong and positive. Being part indigenous, she utilizes her music to promote healing and empowerment in response to human and environmental rights.
This prolific songstress completed her first limited-edition EP in 2011. In 2013, she released the singles “Summertime” and “Easy Days,” and in the spring of 2014 ZAHIRA released Rise Up, her first full-length album. Her newest release since her winter 2016 single “Ascension,” STAND STRONG is an anthem for revolution beyond genre that is a unique concoction of Soul, Rock, and EDM, all driven by deep bass and passionate vocals. “STAND STRONG is a reminder to respond with love to all situations, especially in challenging times,” says ZAHIRA. “Its essence activates a higher perspective on life and encourages us to take responsibility for our own vibration. This song is a call to the creator to remind us to be strong even when crazy troubles get in our way. To stay balanced amongst the polarities of this dualistic world.”
No stranger to the music industry, ZAHIRA has worked with several globally renowned artists including Luciano, KRS-One, Bibi McGill, Yami Bolo, Red Fox, Indubious, Rocker-T, Jah Levi and Sol Seed. She has worked with producers and engineers such as Don One, Vince DiLorenzo, Solji Hamilton, Jaya Raise and Janaka. Additionally, ZAHIRA has played to crowds at several festivals and locations around the world including California, Oregon, Colorado, Florida, Canada, Israel, the Dominican Republic, Bali and Thailand, taking fans on a truly uplifting musical journey. She can be seen performing with her solo live-electronic project and with her band, or as a guest vocalist with Oregon Reggae Rootstronica group Indubious, who also featured ZAHIRA on their track “Root Down” on their album From Zero.
ZAHIRA was born and raised in Canada. She began embracing her love of music at a young age when she became a gospel choir soprano vocalist. Within a few years, her family moved to the USA where she became more focused on refining her natural talents, realizing she was bound for a career in the arts. As a teenager, she became the front-woman of Soul Union, her first band, and ever since she has pursued her career as a singer, songwriter and bandleader. Besides studying Jazz Vocals and Performance at Green Mountain College, ZAHIRA has independently trained in North Indian Classical Vocals, Sound Healing, Performance, Dance, and West African Drumming. Aside from her native English, she has written and performed songs in Hebrew, Sanskrit, Arabic, Spanish, French, Michif, and indigenous languages to share her message with the world.
Since ZAHIRA debuted in the early 2000s with jazz influenced soul and reggae material, she has undergone a metamorphosis into an experimental neo-soul, reggae, and electronic fusion artist as of 2015. Besides performing, ZAHIRA has also written songs for various films and television commercials. This devoted vocalist’s voice ranges from alto to a high soprano, and she uses it as a dynamic instrument in a rich and powerful way. Her unconventional, eclectic style and positive lyrics have made a unique and powerful impact upon her listeners. ZAHIRA radiates pure light and positive energy on stage and brings her audience on a journey beyond time and space.
“Better not run and hide from it, better take the time and just work on it.” –Zahira
To pre-order STAND STRONG on iTunes please visit: http://smarturl.it/zstandstrong
For more information about STAND STRONG or upcoming tour dates, please visit ZAHIRA’s website and social media pages via http://zahiramusic.com/
For Booking inquiries please email contact@zahiramusic.com
For Press and Interview inquiries please contact Billy James at Glass Onyon PR: (828) 350-8158 or glassonyonpr@gmail.com
For Reggae Marketing or Radio please contact King I-Vier at Independent Distribution Collective: kingivier@gmail.com
For Digital Marketing please contact Jerome Forney at Independent Distribution Collective: jerome@independentdistro.com
Here are the five questions to ask yourself before booking an out-of-town show
“’Because it’ll be an adventure’ ain’t the best answer when someone in your band asks: Why should we drive 300 miles to play this show?“
The Devil Music Interviews Birdseed’s Kerry Landreth
“Kerry Landreth is lead singer and songwriter for the San Francisco rock band Birdseed, whose recently-released 10” EP Not Out of Time the Reverend found quite impressive, writing that “Not Out of Time is one of those rare treasures that will take 20 years or so for rock music’s critical cognoscenti to catch up with.” Comprised of singer Landreth, guitarists Jamie Goodyear and Mason Morfit, bassist Lane Murchison, keyboardist Brian Hetherington, saxophonist Peter Landreth, and drummer Scott Bell, Birdseed delivers “grown-up rock ‘n’ roll from an adult’s perspective, with lyrics forged in the crucible of life.”
After my review of Not Out of Time was published, Birdseed guitarist Mason Morfit got in touch. He kindly hooked me up via email with Landreth for the following Q5 interview and she graciously took time out of her schedule to answer a few questions about the best band that you’ve haven’t heard (yet).
Q1. What originally got you interested in singing and music?
I grew up surrounded by music – I lived in London during Andrew Lloyd Weber’s heyday and sang songs from musicals in my living room every night. I sang in an a capella group and a band at Exeter, and then in an a capella group at Stanford. Joining Birdseed was a joyful revisit of the things I loved most. I’d beaten breast cancer in 2010-11 and going through that was as transformative as you’d imagine. Except my version of taking the “cancer lesson” wasn’t to slow down, it was to speed up.
Luckily I fell in with the right group of musicians – we were all at a point in our lives where we’d lived enough to know what was important to us. And to our surprise and delight, we found we write great music about it. My cancer came back in 2015, which created a sense of urgency. Musically, things ignited. We started writing, recording, and playing live with a vengeance.
Q2. Who are your musical and songwriting influences?
Sheryl Crowe, Natalie Merchant, Ray LaMontagne, Fleetwood Mac, Eric Clapton, and J.J. Cale.
Q3. Why compile Birdseed’s singles onto vinyl rather than CD, and why a 10″ EP?
For the same reason we are writing music about people our age. It’s for the generation who grew up loving vinyl.
Q4. Why record and release singles rather than a full-length album?
We record them as soon as we write them (and inspiration only comes when it comes). We are so excited to share them with our friends that we can’t hold anything back for a LP. Most of the fun is from sharing this stuff.
Q5. Has the band been approached by any labels, or would y’all prefer to keep doing your records yourselves?
We signed early to Bird Records because of how cool the Bird school and studio are. That place brought music to all of our kids. Most of them now play music and have been in bands. We are an independent group of people and independent label makes sense for us.” Related content: Birdseed’s Not Out of Time EP review
Order NOT OUT OF TIME on iTunes:
http://smarturl.it/notoutoftime
BIRDSEED will be touring in the Fall of 2017 in support of their NOT OUT OF TIME 10” Vinyl EP, which is available worldwide online and in stores August 4, 2017.
For more information about BIRDSEED and the NOT OUT OF TIME EP, or upcoming tour dates, please visit the band’s website and social media pages via www.birdseedband.com
For more information about Bird School of Music please visit http://bird-sf.com/
To order the NOT OUT OF TIME EP, please visit the Bird Records Bandcamp page at https://birdrecordingfoundation.bandcamp.com/
For Press and Interview inquiries, please contact Billy James at Glass Onyon PR at (828) 350-8158 or glassonyonpr@gmail.com
For Digital Marketing, please contact Jerome Forney at Independent Distribution Collective at jerome@independentdistro.com
RONNIE SPECTOR will be performing in Asbury Park, NJ tomorrow, August 26th!
Look out, Asbury Park: Ronnie Spector is back.
“Spector, the iconic 1960s hit-maker, has reunited with her longtime group the Ronettes, and they’ll be headlining at Asbury Park’s Paramount Theatre on Saturday, Aug. 26, for Cruisin’ the Circuit.
The concert, Spector’s first performance in the city in 15 years, benefits the homeless animal support organization the Asbury Park Boardwalk Rescue.
Co-sponsored by the Asbury Park Press, Saturday’s event also will feature Shirley Alston Reeves of the Shirelles, The Crystals, the Coasters, Charlie Thomas’ Drifters, Nicky Addeo and Pat Guadagno’s Big Band, hosted by local radio personality Big Joe Henry.
Fresh off releasing the single “Love Power” earlier this month, Spector recently took some time to chat via email about her connection with Asbury Park, her bond with Bruce Springsteen and the decision to reunite the Ronettes.
Q: Aug. 26 will be your first time in Asbury Park in 15 years. How are you feeling about getting back to the city, and do you have any particularly fond memories of playing the city in the past?
A: Are you kidding me? I can’t wait to get back there! Those were great times for me. You know I came back east in ’74 and really needed to make music. People may not know it, but I never wanted to leave rock ‘n’ roll.
Let me tell you (a) little story of how I got to Asbury Park in the first place. I am walking down the street in New York City, mid-’70s and I hear this voice yell out, “Hey Ronnie, Ronnie Ronette,” so I turn around and it’s John Lennon. I actually met John the first night we landed in the U.K. in January ’64. Anyway, John asked me how am I doing, and I tell him, “Not good, I need to make music.” John said he was busy being a house husband taking care of his son, but introduced me to his engineer, Jimmy Iovine.
That night, Jimmy invited me down to the Record Plant where he was working with a band from Jersey. When I walked into the studio, I met Little Steven (Van Zandt), who was producing Southside Johnny. And (Bruce) Springsteen was there, too, and right on spot Bruce re-wrote a song for me and Johnny to sing as a duet, “You Mean So Much to Me Baby.” They were all excited when I showed up, and more excited when I started to sing. I was surprised they knew me.
After that I started hanging out in Asbury Park with the guys, doing shows at the Stone Pony and all over the place. The second part of my career really started in Asbury Park. Those guys treated me like a sister and really helped me get back to what I loved doing, rock ‘n’ roll. They always looked out for me, and would never let me get into any trouble!
Q: You are once again making music with the Ronettes. How does it feel to have the group back together, and what made now the right time to reunite?
A: I was performing over at the Glastonbury Festival in the U.K. last year. There’s more than a hundred thousand people at the festival, everyone is there from Adele on down. And we get out on stage and start into “Baby I Love You” and the crowd goes nuts. All these kids are screaming, and I look over to my girls … and they are doing the routines, and right then it was back to the beginning. It hit me, boom! It was just about having FUN!
I have had lots of high points in my career, but those times from ’63 to ’66 remain magical to me. That’s before all the craziness, the ripoffs, the lawsuits. There was an innocence back then that I miss. And that’s why I am back as Ronnie Spector and the Ronettes.
Q: I love your new single, “Love Power.” What was the inspiration behind such an uplifting track?
A: At first I wanted to change the title to “Girl Power,” but Narada Michael Walden, my producer, and I were talking about it, and we both felt the same. Right now we need “Love Power.” I see people marching with Nazi flags carrying torches. What is going on in our country, in our world?
Anyway I had bumped into Narada last December at Carnegie Hall when we were both doing Sting’s “Rainforest Benefit” and we got talking, and the next thing I know I fly out to San Francisco and we recorded it. And I love it, love the sound, love the arrangement, love the production. I told Narada just what I wanted, and he gave it to me. I do believe love power is the greatest power of them all, and like the song says, “Together we can’t fall.”
Q: Is “Love Power” the first glimpse at a new LP from you and the Ronettes?
A: I honestly don’t know. I made my first record in 1961, and the business has changed so much. I have to pinch myself ’cause I can’t believe I am still here doing it. Of course I would love to make a new Ronettes album.
But I am so proud of “Love Power.” We are here to spread love. That’s what the Ronettes always sang about, “Baby I Love You,” “Do I Love You,” “Why Don’t They Let Us Fall in Love,” “Chapel of Love” and of course “Be My Baby” and so on. It was always about love for the Ronettes, and I feel we delivered that message again.
Q: On both the new single and your last album, 2016’s “English Heart,” your voice is in terrific shape. What’s your secret to preserving your instrument after all of these years of singing?
A: I don’t go out much and I don’t talk much either. I stay away from parties, and I try and eat right, lots of pineapple. And very important, lots of sleep. I have been very lucky. It’s probably in my genes. I do drink coffee every morning, and still smoke cigarettes, which I started in my late teens.
Q: Forty years ago, you partnered with the E Street Band for “Say Goodbye to Hollywood.” What are your memories of working with the band on that classic single?
A: I was going back and forth to L.A., so the times in the studio with Bruce and the boys were great. The times in L.A. were very difficult for me. Everyone was working hard to find the right song for us to record. And of course Billy Joel, who wrote “Hollywood,” used to open up for the Ronettes on Long Island in the ’60s when he was in the Hassles.
I also loved the ‘B’ side which Little Steven wrote for me. Those guys were like big brothers to me. It’s the only record outside of their work with Bruce where they are credited as the E Street Band. I look back and really appreciate those days. Not one memory, lots and lots of them, so much fun and a sense of freedom for me which I desperately needed. The guys were great and exactly what I needed at that moment in my life.”
CRUISIN’ THE CIRCUIT
WITH: Ronnie Spector and the Ronettes, Shirley Alston Reeves, The Crystals, The Coasters, Charlie Thomas’ Drifters, Nicky Addeo and Pat Guadagno’s Big Band
WHEN: 6 p.m. Saturday, Aug. 26
WHERE: The Paramount Theatre, 1300 Ocean Ave., Asbury Park
TICKETS: $27 to $77
INFO: www.apboardwalk.com/event/cruisin-the-circuit
To Order LOVE POWER on iTunes please visit: http://smarturl.it/lovepower
For more information on Ronnie Spector and The Ronettes please visit her website at: http://www.ronniespector.com/
For more information on Narada Michael Walden please visit: http://www.naradamichaelwalden.com/
For Narada Interview Requests please contact: Michael Jensen & Erin Cook / Jensen Communications MJ@jensencom.com Erin@jensencom.com Phone 626-585-9575
For Ronnie Interview Requests please contact: Seth Cohen at Seth Cohen PR sethcohenpr@earthlink.net 917-969-2019
RELEASED TODAY: ‘FUN PARTY SPLASH’ THE NEW SINGLE FROM CINDY BLACKMAN SANTANA
Cindy Blackman Santana is a virtuoso drummer whose artistry spans the realms of jazz and rock. As a bandleader and as a musician, Cindy is a sound innovator with a passion for pushing creative boundaries and exploring movement and change. She is as known for the nuances and colors she brings to her beats and fills as she is for the sheer power of her soulful playing. “Some drummers act, some react. Some keep time, others create it. Cindy Blackman Santana is among the few who can,” writes Mike Zwerin of the International Herald Tribune.
Cindy has been creating magnificent musical time and space since the beginning of her career as a busking street performer in New York City in the ’80s through the present day, touring the globe and making albums at the top of her game—including the critically acclaimed Another Lifetime (2010). In addition to collaborating onstage and in-studio with her own group—also known as Another Lifetime—she has toured and recorded with artists including Pharoah Sanders, Cassandra Wilson, Bill Laswell, Joss Stone, Joe Henderson, Buckethead, Don Pullen, Hugh Masakela, and Angela Bofill. From 1992 to 2007 and again in 2014 & 2015 she was the drummer in Lenny Kravitz’s band, performing through multiple world tours and hit albums. In 2010, she was part of the all-star line-up performing “Bitches Brew,” a tribute to Miles Davis’ seminal album staged at the San Francisco Jazz Festival and NYC Winter JazzFest.
“I think of playing as controlled freedom, and in jazz, especially, that’s exactly what you have. I love it,” says Cindy. “You know the forms of the songs, but you have the freedom to stretch over them. You want the music to grow and breathe, and you want to invite creativity from all the musicians. As you’re going along, you can change the color, the feel, the mood in different ways, or go off the chart and open it up to something new. Controlled freedom is an incredible discipline requiring a lot of focus. Improvisation like that is art in its highest form.”
More recently, Cindy has become the regular touring drummer for Santana. Having met several years earlier at a festival in Europe while she was touring with Kravitz, Cindy first played with Santana in spring 2010, when drummer Dennis Chambers had a previous commitment. “They have a great band vibe. It’s nice to play with people who have grown together, built a sound together, and stayed together,” she says. “When that happens, you can create so many different levels of communication. That’s what they’ve done, and I love interacting with it.”
Electricity onstage generated chemistry offstage—Carlos proposed to Cindy during a July 2010 concert, and they married in December. Looking ahead, they will collaborate artistically as well, on projects that will no doubt reflect their shared passion for improvisation, and belief in the transcendent nature of music. “To me, music is completely spiritual, it’s the way you connect with your higher self, with the universe,” says Cindy. “It’s also a way to share light with millions of people. They don’t need to speak your language, have your beliefs, or be in the same place you are. The music speaks, it channels good energy, and makes a difference in people’s lives. Carlos and I are both conscious of doing that.”
On her own, Cindy is continuing to develop the heady jazz-rock fusion that she drives so powerfully on 2010’s Another Lifetime. The tour de force album is a tribute to her mentor, the legendary drummer Tony Williams, and features reimagining’s of eight songs from his seminal ’70s group Lifetime, as well as three original tracks by Cindy. In its review, All About Jazz wrote, “Blackman’s sonic explorations take jazz-rock beyond where the late drummer envisioned it when he was putting heads to bed with guitarist John McLaughlin, bassist Jack Bruce and organist Larry Young… Jazz-rock as performed by Williams, and now Blackman, is very much alive and well.” The Guardian (U.K.) review called it “a fire breathing session,” adding “the mad-axeman guitar and boneshaking drumming this style invites is certainly present…but Blackman balances it with tonal splashes of abstract color.”
“I loved everything about Tony’s playing. He changed the sound of music several times with different tunings and configurations, and innovated with every limb,” says Cindy, who first met Williams in her teens when he did a clinic at the drum shop near her home in Connecticut. “His attitude and bravado behind the kit were incredible, and his technique was impeccable.” Another Lifetime was recorded on both coasts, with New York sessions featuring Mike Stern, Doug Carn, Joe Lovano, and Benny Reitveld accompanying Cindy, and L.A. sessions including Vernon Reid, Patrice Rushen, and David Santos. Going forward, Cindy is planning to incorporate more of a vocal element into her music.
Cindy remembers first asking for drums when she was three years old—“My mom says I was born hitting things and making rhythms,” she says. She graduated from a toy drum kit at age 7 to her first professional set at age 13, and went on to play in the jazz band, concert band, and orchestra in high school. Cindy was living in New York just a few years later, and took advantage of the abundant opportunities to see legendary drummers perform live, including Art Blakey, Max Roach, Roy Haynes, Philly Joe Jones, Jimmy Cobb, Elvin Jones, Tony Williams, Jack Dejonette, and Al Foster among them. Outside of the jazz realm, other greats she admires include Clyde Stubblefield (James Brown), John Bonham (Led Zeppelin), and Mitch Mitchell (Jimi Hendrix).
Her recording career began in the late ’80s, and she has released albums with an acoustic ensemble—the Cindy Blackman Quartet—as well as with her electric outfit. One she cites as among her favorites is 2000’s Works On Canvas. “I like where the band was at that point, our sound was becoming really cohesive,” she says. The review in Jazz Times noted that the album “proceeds like an impressionistic suite in which she not only functions as the main rhythmic engine of the music, but also a magnificent colorist…Works on Canvas is an amazing portrait of one of this generation’s most colorful drummers.”
Cindy is currently featured on the Santana/Isley Brothers release Power of Peace, featuring the song “I Remember” which she wrote and sings. In 2016, she connected with fellow drummer and world-class producer Narada Michael Walden (Whitney Houston, Mariah Carey, Aretha Franklin) and together the two have been working on new material. Cindy Blackman Santana will release the new single titled “Fun Party Splash” on Narada Michael Walden’s Tarpan Records in the summer of 2017, and continues to build a body of work and artistic legacy that make her one of the finest drummers, and recording artists of this or any generation.
For more information, please visit Cindy’s website at: www.cindyblackmansantana.com
Buy “Fun Party Splash” on iTunes: http://smarturl.it/funpartysplash
Buy “Fun Party Splash” on Amazon: http://smarturl.it/cbsfps
Let It Rock Review: Jennifer Saran “Wake Up”
“It’s no coincidence there’s an imperative shift between 2016’s “Walk With Me” and “Wake Up”: while Jennifer Saran’s sophomore album felt like an inspired invitation to try many a route, its follow-up finds the singer take wing and take her listener way up high. That the mesmerizing “Look At Me Fly” – a duet with producer Narada Michael Walden – is this record’s centerpiece is rather telling, although such a placement can’t distract anyone from the artist’s fully-fledged ability to own not only the little gems she co-wrote but also pop classics inhabited here with, if to quote one of them, love and devotion.
To gender-bend Billy Paul’s “Me & Mrs. Jones” and swing to a strings backdrop or to reveal new emotional layer in Bill Withers’ “Lean On Me” may require a lot of self-confidence, and Saran is truly possessed with assertiveness now, easily outshining the sensual backing provided by LADYSMITH BLACK MAMBAZO on a few numbers – first of all, on the title track where Carlos Santana’s soulful licks kick in to elevate the opener’s vibrancy. With the same rapturous throb filling the translucent “Too Young To Know” whose arrangement ebbs and flows under its melody, and with a wide-eyed delight in “Really” which rides a funky groove, Jennifer doesn’t shy away from the moonlight serenade in “Old Cape Cod”; more so her delicately passionate treatment of “Jesus To A Child” can make Sade blush.
On the opposite side of a rhythmical spectrum, silvery spiritual yet dance-inducing, “Grace Is The Champion” has the potential to become a riff-spiced mantra for an experienced party-goer, one that will deem Saran’s reading of “Aad Guray” too entrancing. But when the orchestra and choir flock into “I Will Always Be Your Home” to warm its welcome, it’s impossible not walk there with the singer and then wake up each morning with a smile and faith in the future.”